>>>>Does the poet indicate to us that there is a place where we can lift our blindness to what binds the body and language, starting from his practice of the letter, and from the encounter with other speaking bodies gaze with ?
Patricia Wartelle, (ECF member. Evokes Michel Butor during an evening that pays tribute to the writer who pass away on August 24, who had plac the city of Laon on his path of life and writing, among a few exceptional places.
The evening is organiz jointly by the MAL and the ACF-CAPA, and opens a series of meetings with artists invit this year, which will be guid by the perspective of the theme of the J46. The gaze is on the side of the world. By showing us his world, the artist invites us or sometimes forces us, as a reader, spectator or listener, to be concern, involv.
It is because of this gaze with effect that producing
images always comes down to seeking a gaze. And this, whatever the images, and the modalities of their production. Balzac pinn labels on his wall, with the names of his favorite paintings. The word becomes an image, and the image phone number list pins itself as a pure signifier. While the gaze, itself, escapes, and can never be caught. The gaze is a Freudian object. It is a Lacanian object. It is an object that causes desire.
The evening opens with automate your target sms list campaigns Lieu de lumière , Locus lucis , a film direct by Michel Butor on Laon Cathral.
“You approach from the four cardinal points
then you climb in circles to the top, then you touch the walls of the concentric enclosures, wells of light. Vertigo of voids nest in columns…”
As in The Modification which hindi directory made him famous (winner of the Renaudot Prize in 1957, which crown this opus of the then experimental new novel), you are watching the film, this subject in the second person to whom the author addresses himself, and you are modifi, because it concerns you .